Barcarole

Korean Barcarole

뱃노래 Korean Folk song (barcarole / 船歌/ 舟歌 ふなうた)

http://tw.youtube.com/watch?v=KpIzuR-YNac

Tenor : Kang Mu-Rim / 강무림

뱃노래 / 석호 시, 조두남 곡 1 2 3

푸른 하늘에 물새가 춤춘다

에야! 데야! 어서 노 저어라 임 찾아 가자!

두둥실 배띄워 청춘을 싣고서

여기는 황포강 노을이 붉고나

에야! 데야! 어서 노 저어라 임 찾아 가자!

아득한 창파만리 임계신곳 어디런가?

맑은 달빛이 물위에 춤춘다

에야! 데야! 어서 노 저어라 고향에 가자!

순풍에 돛달고 파도를 헤치며

바라다 보며는 하늘도 멀고나

에야! 데야! 어서 노 저어라 고향에 가자!

아득한 수로만리 고향산천 어디런가?

船歌 (洪振耀 譯)

藍藍 天空中 水鳥飛 翩翩舞

Eya! Deya! 快來 把 槳兒划 尋佳人 快划!

人隨船 飄零久 青春歲 空蹉跎 

漂泊到 黃浦江 霞滿天 夕陽紅 

Eya! Deya! 快來 把 槳兒划 尋佳人 快划!

漫迢迢 長波萬里 窈窕淑女 藏身何方?

皎潔 明月光 水面上 翩翩舞

Eya! Deya! 快來 把 槳兒划 回故鄉 快划!

順風時 揚滿帆 乘波濤 破風浪 

放眼望 水浩瀚 天連水 漫無邊 

Eya! Deya! 快來 把 槳兒划 回故鄉 快划!

漫迢迢 水路萬里 故鄉山川 來去何方?

뱃노래 Korean Folk song (barcarole / 船歌/ 舟歌 ふなうた)

Baet No rae (a boatman's song)

lyric writer : SeokHo / composer : JoDuNam / Singer GangWooRim(Tenor)

/(the English)

/(the Korean)

푸른 하늘에 물새가 춤춘다

/Water bird is dancing in the blue sky

/PuReun(blue) HanEul(sky)-e(in)

MulSae(water bird)ga(is) ChumChunDa(dancing)

에야 데야 어서 노 저어라 임 찾아가자

/eya~ Deya~ Row quickly! Let's go to find one's beloved

/Eya~ Deya~ EoSeo(quickly) No(oar) JeoEoRa(Rowing) Im(Nim)(one's beloved) Chajagaja(Let's find)

두둥실 배 뛰워 청춘을 싣고서

/DuDungSil Floating the boat that takes the springtime of life

/DuDungSil (a mimetic word : floating gently) Bae TtuiWo (Floating the boat)

CheongChun (the springtime of life) -eul sitgoseo (taking)

여기는 황포강 노을이 불고나

/It is HwangPo river in here and there is a red glow

/YeoGi(Here)Neun(is) HwangPo(river's name) Gang(river)

Noeul(glow)-i(is) Bulkkona(How red it is!)

에야 데야 어서 노 저어라 임 찾아가자

/eya~ Deya~ Row quickly! Let's go to find one's beloved

/Eya~ Deya~ EoSeo(quickly) No(oar) JeoEoRa(Rowing) Im(Nim)(one's beloved) Chajagaja(Let's find)

아득한 창파만리 임게신 곳 어디런가?

/sea waves and 10000ri (ri is a distance unit) that is long way to go.. Where is one's beloved?

/ADeukHan(long way to go) ChangPaMalli(sea waves and 10000ri)

Im(one's beloved) GyeSin Got(Place that lives one's beloved) EoDiReonGa(Where is ..?)

*****

맑은 달빛이 물위에 춤춘다

/The Clear moonlight is dancing on the water surface

/Malgeun(Clear) Dalbit(moonlight)-i(is) Mul(water)-wi(up,surface)-e(on ) ChumChunda(Dancing)

에야 데야 어서 노 저어라 고향에 가자

/Eya~ Deya Row quickly! Let's go to the my hometown

/Eya~ Deya EoSeo No JeoEoRa

GoHyang(hometown)-e(to) Gaja(Let's go)

순풍에 돛달고 파도를 헤치며

/spreading a clew with the a favorable wind and plowing through the waves

/SunPung(a favorable wind)-e(with) Dot(a sail) Dalgo(spreading a clew, and)

PaDo(waves)-reul Hechimyeo (with Plowing the waves)

바라다 보며는 하늘도 멀고나

/When I look at it, the sky is too far away

/BaRaDa BoMyeoNeun(when I look at it),

HaNeul(the sky)-Do(too) MeolGoNa(How far away it is!)

에야 데야 어서 노 저어라 고향에 가자

/Eya~ Deya Row quickly! Let's go to the my hometown

/Eya~ Deya EoSeo No JeoEoRa GoHyang(hometown)-e(to) Gaja(Let's go)

아득한 수로만리 고향산천 어디런가

/(boat's) course that is long way to go. Where is my hometown , Mountains, and streams

/ADeukHan(long way to go) SuRoMalLi((boat's) course) GoHyang SanCheon(Mountains, and streams) EoDiReonGa (Where is..?)

Beethoven's Anvil

Beethoven's Anvil

2003 腦內交響曲：從認知科學與文化探討音樂的創造及聆賞 Beethoven’s anvil : music in mind and culture 作者：威廉．班宗/著 原文作者：William Benzon 譯者：趙三賢 出版社：商周出版 出版日期：2003年07月01日

作者簡介: 威廉．班宗（William L. Benzon）博士：認知科學家，《社會與演化系統期刊》（Journal of Social and Evolutionary Systems）之編輯委員，是音樂團體「歐亞非聯盟」（Afro-Eurasian Connection）創始人之一。

2002 Beethoven's Anvil: Music In Mind And Culture by William Benzon (Paperback - Oct 2002) Basic Books

Benzon, a horn player, is intensely interested in how music brings people together and gives us a fascinating, at times profound, and speculative book on it. Believing that speculation is necessary for intellectual and scientific progress, he writes for the future while proposing concepts to be tested in the present. He doesn't claim his ideas are true, only that they should be considered and tested. The book begins with stories of musical experience and proceeds to show how music can bring groups, not just pairs, together by means of their coordinated neurological systems; how music affects different sections of the brain; and how music has played a part in developing cultures throughout history. Although largely oriented to Africa and Europe, the book provides examples from the rest of the world, too; and Benzon often draws on personal experience to demonstrate how emotion and physiology combine in the music-making act. At times the text is heavy going, but Benzon's wide-ranging mind and striking analogies hold one's attention. William Beatty

Benzon, W. L. (2002). Colorless Green Homunculi. Human Nature Review. 2: 454-462.

Music, Culture and Ideas PPT

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Eddie Adcock playing his banjo during his brain surgery whilst he's... still awake...

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Eddie Adcock Played Banjo While in Surgery Till Hands Were Just Right

By MAUREEN WHITE and LEE FERRAN Oct. 3, 2008

Click here to watch the video 2’12’

Eddie Adcock's fast picking and unconventional style made him world famous as a bluegrass banjo innovator. But when tremors took over his once dexterous hands, he lost the ability to play the music he loved. An operation rid Eddie Adcock of his tremors and reignited banjo passion.

Now, thanks to an incredible brain surgery, during which Adcock was awake and playing the banjo until the doctors got it just right, he can turn his talent back on, literally at the push of a button.

Adcock suffered from an essential tremor, an involuntary trembling in the head or hands that afflicts 10 million Americans.

"It was the most devastating thing that has ever happened in my entire life," he told "Good Morning America."

Adcock's wife, Martha, was the first to notice the tremor.

"When I first noticed, his skills were not the same and we were trying to figure out what was going on," she said. "It was distressing because this has been his whole life."

But doctors at Vanderbilt University Medical Center offered a possible solution -- a procedure called "deep brain stimulation" in which surgeons place an electrode into Adcock's thalamus and connect it to a type of pacemaker. When the pacemaker is activated, a bolt of energy jams the tremor, allowing Adcock to regain control of his hands.

The procedure had been extremely successful in the past, but this case presented a unique challenge.

To make sure the procedure would have the desired effect, the doctors not only kept Adcock awake during the invasive brain surgery, but also let him play the banjo while the doctors poked around in his brain.

During the surgery there was a cacophony of sounds -- the beeping of the various equipment in the room, doctors and nurses scurrying around and Neimat probing through Adcock's brain while asking "Does that feel any better?" And over it all, there was the twang of lightning-fast banjo picking when Neimat hit just the right spot.

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